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Epic Megalopolis Productions



Photo Credits (top-down, left-right): Booter Griffin, Kathleen Chen and Michele Cavallero in “How to Find a Decent Sushi Bar.” Lindsey Stakoe, Jessica Coffman and Cindy Burnett in “Junkyard.” The company of JUNK in “Do You Really Think…” Photos by Andy Windack.

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ABOUT US

MISSION STATEMENT


Epic Megalopolis Productions (EpicMegaPro) was founded to support the development of new work for the stage and to produce innovative and socially relevant material for a new generation of theatergoers. As a company, we place as much value on the integrity and ingenuity of the creative process as we dedicate toward any finished production. We believe in working in community, and maintaining a receptive, rewarding work environment that encompasses administration, performers, designers, technicians, staff, crew and volunteers. We stand for producing timely art and, as much as possible, providing a living wage for our artists. We strive to enhance social and political awareness, for our audiences and ourselves, through entertainment that engages critical thought and reflects the complexity of the 21st century.

EpicMegaPro’s largest project is currently JUNK: A Rock Opera, a social satire set to a full rock score, with the music and the message audiences across generations have triumphantly supported: “There must be more to life than this!”


BIOS

 

Shakina Nayfack (Artistic Director):

Shakina is the Artistic Director and Co-Founder of Epic Megalopolis Productions (EpicMegaPro), the company behind JUNK: A Rock Opera (2007). Most recently Shakina has been serving as the SDCF Observer for Tony Award-winning director Michael Mayer (American Idiot, Spring Awakening) on the development of On A Clear Day You Can See Forever. Other producing/directing highlights include: Cosa Rara (Highways Performance Space 2009), For colored girls... (2008) and Zoot Suit, the 30th Anniversary Production (AD/Choreographer, 2008), both as as an artist in residence at Pomona College in California, and Ragesties / Bodies in Crisis at the Edinburgh Festival Fringe (2002). As a performance artist Shakina has presented work at the Performance Studies International conference at Brown University (2005), the 2005 Chicago Butoh Festival, and the International Conference of Performance Art Theory at the Escuela Superior de los Artes Visuales in Baja California, Mexico (2006).  In addition to adorning the streets of Los Angeles, Shakina's performance work has been featured on MTV (When Pop Culture Attacks!) and in far-reaching publications including The Nation (New York), The Guardian (Manchester) and Culture Wars (London). Shakina has trained extensively in Butoh Ritual Mexicano with master Diego Piñón, and continues to teach Butoh-inspired work in Los Angeles and elsewhere. Shakina holds an MFA in Experimental Choreography and a PhD in Critical Dance Studies (both from UC Riverside).  His writings on Theatre and Dance have been published by The Industry Standard, The Chicago Cultural Center, The Dance Research Journal, The Drama Review, and most recently by the University of Illinois Press in their upcoming anthology Dancing Across Borders.  Shakina's first book, Alchemy is Dancing, will be released later this year.

 


Shakina Naysfack

 

 

 

Joseph Yoshitomi (Producer)
Joseph currently serves as the Director of Marketing for the Geffen Playhouse and has over nine years of experience in theatrical development and marketing. He began his career as part of Los Angeles County/J. Paul Getty Trust intern program and, while focused on marketing, has worked in development, production and administrative capacities at several nonprofit and for profit arts organizations. Serving as Associate Marketing Director at Pasadena Playhouse, one of the nation's leading nonprofit theatres, Joseph specialized in new sales and audience participation strategies. This specialization helped him regularly surpass multi-million dollar subscription sales goals while national and regional subscription numbers trended downward. He planned/implemented marketing and advertising campaigns for large scale productions such as Sister Act the Musical, Ray Charles Live! - A New Musical, and Fences starring Laurence Fishburne and Angela Bassett. In his one year at the Geffen Playhouse, Joseph and his marketing staff surpassed both subscription and single ticket goals for the season with productions featuring artists, directors and playwrights such as Annette Bening, Gil Cates (founding producing director of the Geffen Playhouse), Laurence Fishburne, Ed Harris, Ricky Jay, Neil LaBute, Matthew Modine and many more. Along with his father, international arts consultant, Jerry Yoshitomi, Joseph has presented on marketing strategies at two national arts marketing conferences and, on his own, at one ticketing and marketing conference. He and his wife independently produced several 99-seat Los Angeles productions and are avid theatre-goers. Joseph holds a B.A. in Religious Studies from U.C. Berkeley (Phi Betta Kappa & Highest Distinction) is a certified Los Angeles County mediator, and holds a pre-medical program certificate from Loyola Marymount University.

 


Joseph Yoshitomi